"Transferring to MCLA was one of the greatest decisions I ever made. Being able to learn from and connect with the faculty and staff equipped me with greater networking capabilities/skills and the opportunity to use them outside of the institution, preparing me for the road ahead. Taking part and engaging in different clubs and organizations on campus helped to shape and guide me for countless opportunities."

Brandon Pender ’07
Research Analyst, Office of State Rep. Daniel E. Bosley ’76
Creative Arts

FOUNDATIONS IN THE CREATIVE ARTS
Courses in the Creative Arts aim to foster our understanding of questions common to all the arts. Students will construct a basis on which to explore further both the broad purposes of all the arts as well as unique achievements of particular art forms.

Courses in Tier II concentrate on a small cluster of basic principles shared by all the arts, and students will work on understanding how each of the different arts make use of those fundamental ideas. The themes that structure the course are:

"representation"

-- how the arts symbolize something, whether that something is an object, an idea, a mood, or an event;
"evocation"

-- how the arts evoke responses in an audience, moving it to have an emotional response, adopt a new idea, make a change of heart or mind, to embrace a point of view it did not have prior to witnessing the work, to alter its identity;
"context"

-- how the arts imply a context, a world in which the audience (viewer, auditor, reader, etc.) will act. Every work of art always has at least two contexts: the context where it came into being and the context in which the audience "reads" it.

  • Each course will use its own examples from the various arts for each of those three rubrics. For example, a course might scrutinize a particular artistic movement that advances a specific theory of representation, like "modernism" or "impressionism," or it might examine the way that particular art (such as dance or film) shapes the identity of its audience by explicating an abstract ideas or reflecting social reality.

    All courses in the Creative Arts share a common set of goals:
    • Study classic works of the human imagination.
    • Critically analyze creative works from the viewpoints of form, style, and meaning.
    • Understand how and by whom aesthetic value judgements have been made historically.
    • Examine the nature of imaginative and initiative thinking.
    • Consider the relationship between problem solving and creativity
    • Explore the interaction of art and society.
    • Develop creative and expressive abilities in order to understand the qualities that shape an artist's work.
Report on the Creative Arts Travel Course to Britain


Museums, Digital Images, Galleries, Exhibitions:

MassMOCA
Clark Art Institute
Museum of Fine Arts, Boston
Worcester Art Museum
Metropolitan Museum
Metropolitan Museum On-Line Resources
Museum of Modern Art
National Gallery of Art, Wash.
Hirschhorn Museum
American Art Museum
Art Institute of Chicago
Frick Collection and Library
Norman Rockwell Museum
Fogg Art Museum, Harvard
Yale Center for British Art
Dallas Museum of Art
Digital Image Access Project
Robert Hughes's "American Visions"
Lists of Art Journals
American Art
Bill's World of Art
National Gallery
Tate Gallery
National Portrait Gallery
The Vatican Museum and Library
Collections of art at the Louvre
Web Louvre


Resources for specific arts:

Picture Credit: students from the Inventing Modernism, Sp. 05 class on their field trip to the Museum of Modern Art in NYC.
MASSACHUSETTS COLLEGE OF LIBERAL ARTS
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