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from Life-List: First Bird (for R.T.P.)
Poetry By Mark Daniel Miller
"Loon!" I cried, half crazy as one,
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Or maniacal laugh.
Yet there it was, The black and white checkered back (source Of the checkerboard metaphor In Thoreau) Stark and unmistakable; The bird (now rapidly receding from view) As small and plain As the small, plain, black and white illustration In my new bird book: Roger Tory Peterson's A Field Guide to the Birds of Texas. (The loon I had mainly known until then Was foreignat least to me. It was the lavishly-painted, L. L. Bean loon In the first plate Of the beginner's guide from Golden. I can still see it: The wary stare Of the bold red eye Fixing the viewer; The black head, With its faint green sheen And daggerlike bill, Contrasting sharply With the pale background: Water whitening Towards a distant shore; The shore A steep jut Of pale grey rock, Topped by a spiring line Of deep green fir; Beyond the fir, a pastel sky Of softest aquamarine; A nearer jut |
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Of fir-topped rock
In the middle distance, The brown and green Reflected Brokenly In the intimate small waters Of the cove or pond; A watery mirror Of the bird itself In the immediate foreground, The reflected image Blurred by the rolling, concentric ripples Emanating From the real thing, The ripples dividing The glassy surface Into broad, expanding rings Of green and blue; And in one small spot On the bird's back, A white illuminescence From the white checks So bright, It fuzzes the edges Of the black: The sheen Of the soft white sun In that Northern sky. I can still see it, But the loon I was seeing then Was the loon I had just been taught to see By Peterson: The loon right there Before my eyes.) "Loon!" I cried Above the engine's din, |
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The spray's white hiss,
The tympany of wind about my ears. "Loon! Loon!" And all who were not already there Rushed abaft, Rushed astern where A big American flag Whipped and popped And the trailing crowd of Laughers Yukked it up. The passengers were mostly elderly, And very kindly, And took pity On me, my brothers, and my dad; For there we were, Ill-clad and ill-equipped, Obvious novices On the M.V. Whooping Crane. (Poor Scoutsthough Scouts all, Either present or past We were not prepared For the rawness of the wind, The fierceness of the blast; And the most powerful optical equipment we had Was the telephoto lensI don't recall What "X"on the turret Of Dad's old movie camera: The solid, 8mm, Bell-and-Howell wind-up. I had that, Mounted on the spidery tripod. We didn't even have a pair of binoculars! Only the stubby pair of opera glasses I had received a few years back. Nevertheless, I saw The loonI was always A good spotter And, like the catechist |
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About to say his catechism
Or the bar mitzvah About to read his text, I was nervous but excited, Confident of my abilities, And ready To sing out The name.) "Loon!" I cried, My heart pounding. "Loon! Loon!" And all the elders on the boat Came flocking around me, Took a look for themselves, And confirmed; Then, they congratulated me On my sighting: "Good spotting!" they said, Or "Good bird!" I was thirteen. It was April 7th, 1968, The National Day of Mourning For Dr. King. (And what was Mom thinking As she read the Sunday papers While she waited for us Back at the Sea Gun Inn?)
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That characteristically I yearned
For a fresh beginning, A new start. Since "Loon, Common" Was the first bird On the A. O. U. Checklist (A serendipitous neatness); Since I expected to list A lot of birds On this trip to Aransas (And did: 49 the first day Including the Whooper Another dozen the next); And especially since, with this bird, I felt I had made it Felt I had finally been initiated Into the cult Of the full-fledged birder I decided again, Right then and there, To start my life-list From scratch.
"Loon!" I had cried, half crazy as one,
Mark Daniel Miller teaches creative writing, literature, and composition at Massachusetts College of Liberal Arts. He has published several articles on the life and work of Robert Penn Warren, and recently served as president of The Robert Penn Warren Circle. His poetry has appeared in The New York Quarterly, The Pawn Review, and elsewhere. His poem, "First Bird," is part of a mixed-genre, autobiographical work in progress, entitled Life-List. From Texas, Professor Miller joined the English and Communications department in 1986. |