Past Exhibitions


A PRACTICE IN PROCESS

on view: January 22 - March 14, 2020

Opening reception Wednesday January 22, 5 - 7 PM

A Practice in Process is an exhibition intended to provide a window into the process that drives artists to make work and sustain a practice. The ability to sustain a practice, challenges artists with an unending search for very basic needs; a space to create, time to create, enough inspiration to motivate actual production and the ability to physically produce a final product. A Practice in Process shines a light on one way in which many artists attempt to address the arduous path of process in their practice. To continue to make and advance their work, many artists search for and attend artist residencies at least once, if not, many times throughout their careers.  An artist residency can create a space to either change their work drastically, by moving it into an entirely different direction, or by pushing it much further in the same direction.

North Adams continues to draw artists from all over the world. Its rich burgeoning arts community continues to grow and thrive in the region, amidst spaces like Gallery 51, MASS MoCA and many other spaces like it in Berkshire County. This exhibition brings together the work of eight artists who traveled to the region to participate in the Studios at MASS MoCA artist-in-residence program, between December of 2019 and during January of 2020. A Practice in Process, with work by Megan Reed, Tara Sabharwal, Celeste Wilson, Phil Rabovsky, M Slater, Barbezat-Villetard, Jonathan Michael Korotko and Charlene Tan, will be on view from Wednesday, January 22, 2020 - Saturday, March 14, 2020 at MCLA Gallery 51. This exhibition was co-curated by Erica Wall and Charlene Tan and presented in partnership with MASS MoCA’s Assets for Artists.

A Practice in Process Exhibition Flyer including Artist names and opening date


MADE BY HAND HOLIDAY ART SHOW

Made by Hand. Holiday Gift Show 2019on view: Dec. 5 - Dec. 28, 2019

Opening reception Thursday Dec. 5, 5pm-7pm

The Made by Hand Holiday Art Show celebrates the artwork of local and regional artists and includes sculpture, ceramics, watercolors, jewelry, paintings, cards, collages, fiber, book arts, photography, and printings. All artwork can be taken from the Gallery at time of purchase. The show is a combination of talented artisans, creative gift ideas, and a wonderful warm inviting atmosphere to shop in, all the while supporting local and regional artists.         


5 WOMEN ARTISTS YOU SHOULD KNOW

on view: September 26 - November 23, 2019

Opening reception Thursday Sept. 26th, 5pm - 8pm

Featuring the work of Laura Christensen, Sara Farrell Okamura, Diane Sullivan, Karin Stack, and Galen Cheney, this exhibit aims to highlight local female artists to the North Adams/Williamstown area. "Despite encouraging signs of women’s improved status and visibility in the art world, inequality persists. There is a large gender imbalance in terms of museum exhibitions, prices, gallery representation and press coverage of women artists. 51% of the visual artists in the world are women but work by female artists make up only 3-5% of major permanent collections in the US and Europe. Only 30% of galleries represent at least one female artist. This led me to want to focus an exhibition on the amazing female artists in our region. I started over 2 years ago doing research and reviewing the work of over 200 women artists within a 60-mile radius of Gallery 51. I narrowed it down to 35 and started doing studio visits. All the artists I reviewed are amazing and deserve representation but I finally choose the five artists whose combined vision and artistic voices would amalgamate together and represent the outstanding work being done by female artists in the area. With this show we intend to shine a light on outstanding regional female artists and raise the awareness of their work and illuminating narratives they offer on the world we live in. I am grateful to Gallery 51 and Tammara Leminen for continuing with this important show in my absence.         

                                         —Arthur De Bow, Original Curator

 

                 abstract painting

                                    "The Jaws of Reality" by Sara Farrell Okamura


MAKING ONE’S MARK

on view: Aug. 29 - Sept. 21, 2019

Opening reception Thursday Aug. 29, 5pm - 8pm

Mark making describes the different lines, dots, marks, patterns, and textures we create in an artwork. it can be loose and gestural or controlled and neat. It can apply to any material used on any surface: paint on canvas, ink or pencil on paper, a scratched mark on plaster, clay or metal, a digital paint tool on a screen, the pattern in a weaving, even a sound can be a form of mark making. Artists use gesture to express their feelings and emotions in response to something seen or something felt - or gestural qualities can be used to create a purely abstract composition.


Jon Verney

on view: June 27 - Aug 24, 2019

Opening reception Thursday June 27, 5pm - 8pm

The exhibition will be comprised of framed photographs, altered polaroids, light-boxes and video projection. Approaching photographs as objects that can be pulled apart, dissected and dissolved, Jon presents a series of works embodying his experimentation and embracing of chance. The focus of the exhibition will be on the results and process of deconstructing a series of found polaroid snapshots. 


MCLA Senior Art Show

"An Inquiry into _____"

On View: April 25 - May 19, 2019

Opening reception Thursday, April 25, 5pm - 7pm

MCLA's Gallery 51 is pleased to hold an exhibit featuring the work of our current seniors.

This show will feature work from Bailey Brissett '19, Amanda Romanelli '19, Louis Torres '19, and Cheyenne VanBramer '19. The title of the exhibit reflects the individual explorations and inquiry each student has taken to understand and ask for information on mental illness, the subconscious realms, storytelling, and self-decomposition.

"The senior art exhibit is often a first formal experience in a gallery," said MCLA Visual Art Professor Greg Scheckler. "This year's investigators tracked meditations on death and rebirth, real-life satires of changing states of mind, game-like comics of fate and misbehavior, and 'fruitful' comments on social norms. Look closely; the show includes subtle surprises."

Exhibit Image

(Image provided and created by the Graduating Seniors)


RECONNECTING

MCLA ALUMNI SHOW

On View: March 28 - April 21, 2019

Opening reception Thursday March 28, 5pm - 7pm

MCLA Gallery 51 is pleased to announce an opportunity for alumni to exhibit their work in a group exhibition highlighting their creative pursuits since graduation. It is a unique chance for the college to present the work of our alumni in our downtown gallery, highlighting the impact of an innovative liberal arts education and our Alumni's contribution to vibrant creative communities in North Adams and beyond.

Image provided by the courtesy of artist Christina Kelly "Seaside Shack"

Colour and Form: Beauty in Abstraction

On view: Jan. 24 - Mar. 17, 2019

Opening reception: Thursday Jan. 24, 5pm - 7pm

Featured artists: Kathline CarrDawn NelsonSarah Sutro

Sarah Sutro Composite Landscape, Acrylic on Canvas

Sarah Sutro "Landscape Composite #13," Acrylic on Canvas, 2015. image courtesy of the Artist

Press:

January 18, 2019 "Highlighting the fundamentals of abstract work" - Berkshire Eagle

February 3, 2019 "Colour and Form: Beauty in Abstraction" - The Greylock Glass

Exhibition Statement:

Abstract art is art that does not attempt to represent an accurate depiction of a visual reality but instead use shapes, colours, forms and gestural marks to achieve its effect. Abstraction indicates a departure from reality in depiction of imagery in art. The show explores the beauty, complexities and depth of abstract art and our continuing interest in it and how it inspires our curiosity about the reaches of our imagination.

Every piece of artwork has its own language, a visual vocabulary that gives it meaning, content and interest. The basic elements of this vocabulary are line, texture, shape, form, colour and value. You will find at least one, if not more, of these elements at work in abstract art that can exist with a degree of independence from visual references in the world. In a work of art, ideas, emotions and visual sensations are communicated solely through lines, shapes, colours, and textures that may have no representational significance.

Abstract art in its most simplified form, relies on the emotions of the artist and then the viewer rather than exact representation. This allows the artist unlimited freedom of expression. Abstract art has the potential to be very powerful in the way it keeps conscious distractions to a minimum. Instead of focusing on a particular image, it allows us to feel the energy in the piece. The artist may create a piece with a certain intended meaning, but it is unlikely to be viewed in exactly that way. When someone views a piece of art they take into account their past experiences, and since everyone has gone through different things in life, their interpretations will already differ. Abstraction allows us to see with our mind what we cannot see physically with our eyes. It enables the artist and viewer to perceive beyond the tangible and explore the unknown.

Abstract art in its most simplified form, relies on the emotions of the artist and then the viewer rather than exact representation. This allows the artist unlimited freedom of expression. Abstract art has the potential to be very powerful in the way it keeps conscious distractions to a minimum. Instead of focusing on a particular image, it allows us to feel the energy in the piece. The artist may create a piece with a certain intended meaning, but it is unlikely to be viewed in exactly that way. When someone views a piece of art they take into account their past experiences, and since everyone has gone through different things in life, their interpretations will already differ. Abstraction allows us to see with our mind what we cannot see physically with our eyes. It enables the artist and viewer to perceive beyond the tangible and explore the unknown.

I believe the enduring interest in abstract art lies in its ability to inspire our curiosity about the reaches of our imagination and its potential to create something completely unique.

—Arthur De Bow, Curator, MCLA’s Gallery 51

Kathline Carr Climbing the Fracture Zone, Oil Painting on Canvas  Dawn Nelson, Oil on Canvas

Images courtesy of the Artist: Kathline Carr "Ley Line," Oil on Canvas.

Dawn Nelson "Floating," Water-based Oil on Canvas